Inspirational Poems by John Keats
Inspirational Poems
Keats was born on October 31, 1795 in Finsbury Pavement in
London, where his father was a stable manager, only a few yards from Moorgate
station. The first seven years of his life were happy. The beginnings of his
troubles occurred in 1804, when his father died from a fractured skull after
falling from his horse. His mother remarried soon afterwards, but as quickly
left the new husband and moved herself and her children to live with his
grandmother. There, he attended a school that first instilled
in him a love of literature. In 1810, however, his mother died of
tuberculosis, leaving he and his siblings in the custody of their
grandmother.
The grandmother appointed two guardians to take care of her new
charges, Keats and his siblings, and these guardians removed Keats from his
old school to become a surgeon's apprentice. This continued until 1814, when,
after a fight with his master, Keats left his apprenticeship and became a
student at a local hospital. During that year, he devoted more and more of his
time to the study of literature. Keats traveled to the Isle of Wight in the
spring of 1817, where he spent a week.
Keats soon found his brother, Tom Keats, entrusted to his
care. Tom Keats was, like their mother, suffering from tuberculosis. Finishing
his epic poem "Endymion", Keats left to hike in Scotland and Ireland with his
friend Charles Brown. However, Keats too began to show signs of
tuberculosis infection on that trip, and returned prematurely. When Keats
did, he found that Tom's condition had deteriorated, and that Endymion
had, as had Poems before it, been the target of much abuse from the
critics. In 1818, Tom Keats died from his infection, and John Keats moved again,
to live in Brown's house in London. There Keats met Fanny Brawne, who with
her mother had been staying at Brown's house, and Keats quickly fell in
love. The later (posthumous) publication of their correspondence was to
scandalise Victorian society. In the diary of Fanny Brawne was found only one
sentence regarding the separation: "Mr Keats has left Hampstead."
This relationship was cut short, however, when, by 1820, Keats
began to show worse signs of the disease that had plagued his family. On the
suggestion of Keats doctors, he left the cold airs of London behind and moved to
Italy with his friend Joseph Severn. Keats moved into a house on the Piazza di
Spagna, in Rome, where despite attentive care from Severn and Dr. John Clark,
the poet's health rapidly deteriorated. Keats died on February 23, 1821 and
was buried in the Protestant Cemetery, Rome. Keats last request was
followed, and thus he was buried under a tomb stone reading "Here lies one whose
name was writ in water."
Keats interest in poetry had been sparked by his time at
Clarke's School in Enfield where Keats was befriended by Charles Cowden
Clarke, the son of the headmaster. While his first poem, Lines Written in
Imitation of Spencer, was not written until 1814, Keats had commenced a
translation of Virgil's Æneid. Keats rapidly developed as a poet and
completed Endymion in 1817. It received poor reviews, especially from The
Quarterly Review and Keats considered giving up writing. Fortunately, he
had a higher opinion of his ability than the reviewers and wrote in a letter to
his brother, George, that 'I think I shall be among the English poets after my
death'.
Over the period 1818 - 1819 Keats produced his best work
including: Hyperion, Ode On a Grecian Urn, Ode to Psyche and many others.
Sadly, Keats contracted tuberculosis and in an effort to stem the disease
went to Rome (despite an offer from Shelley to go to Pisa - who knows how Keats,
Shelley and Byron might have inspired each other!)
Inspiration from Keats
Dedication. To Leigh Hunt, Esq.
Keats
Glory and loveliness have passed away; For
if we wander out in early morn, No wreathed incense do we
see upborne Into the east, to meet the smiling day: No crowd of nymphs
soft voic’d and young, and gay, In woven baskets bringing
ears of corn, Roses, and pinks, and violets, to adorn
The shrine of Flora in her early May. But there are left delights as
high as these, And I shall ever bless my destiny, That
in a time, when under pleasant trees Pan is no longer
sought, I feel a free A leafy luxury, seeing I could please
With these poor offerings, a man like thee.
Keats
When by my solitary hearth I sit, When no fair dreams before
my “mind’s eye” flit, And the bare heath of life presents no
bloom; Sweet Hope, ethereal balm upon me shed,
And wave thy silver pinions o’er my head.
Whene’er
I wander, at the fall of night, Where woven boughs shut out the
moon’s bright ray, Should sad Despondency my musings fright,
And frown, to drive fair Cheerfulness away,
Peep with the moon-beams through the leafy roof,
And keep that fiend Despondence far aloof.
Should
Disappointment, parent of Despair, Strive for her son to seize
my careless heart; When, like a cloud, he sits upon the air,
Preparing on his spell-bound prey to dart:
Chase him away, sweet Hope, with visage bright,
And fright him as the morning frightens night!
Whene’er the fate of those I hold most dear Tells to my
fearful breast a tale of sorrow, O bright-eyed Hope, my morbid fancy cheer;
Let me awhile thy sweetest comforts borrow:
Thy heaven-born radiance around me shed,
And wave thy silver pinions o’er my head!
Should
e’er unhappy love my bosom pain, From cruel parents, or
relentless fair; O let me think it is not quite in vain To
sigh out sonnets to the midnight air! Sweet Hope, ethereal
balm upon me shed, And wave thy silver pinions o’er my
head!
In the long vista of the years to roll, Let me not
see our country’s honour fade: O let me see our land retain her soul,
Her pride, her freedom; and not freedom’s shade.
From thy bright eyes unusual brightness shed—
Beneath thy pinions canopy my head!
Let me not see
the patriot’s high bequest, Great Liberty! how great in plain
attire! With the base purple of a court oppress’d, Bowing
her head, and ready to expire: But let me see thee stoop
from heaven on wings That fill the skies with silver
glitterings!
And as, in sparkling majesty, a star Gilds
the bright summit of some gloomy cloud; Brightening the half veil’d face of
heaven afar: So, when dark thoughts my boding spirit shroud,
Sweet Hope, celestial influence round me shed,
Waving thy silver pinions o’er my head.
More of Keats
Imitation of Spenser
Keats
Now Morning from her orient chamber came,
And her first footsteps touch’d a verdant hill;
Crowning its lawny crest with amber flame,
Silv’ring the untainted gushes of its rill;
Which, pure from mossy beds, did down distill,
And after parting beds of simple flowers, By
many streams a little lake did fill, Which round its marge
reflected woven bowers, And, in its middle space, a sky that never lowers.
There the king-fisher saw his plumage bright
Vieing with fish of brilliant dye below; Whose
silken fins, and golden scales’ light Cast upward, through the
waves, a ruby glow: There saw the swan his neck of arched snow,
And oar’d himself along with majesty; Sparkled
his jetty eyes; his feet did show Beneath the waves like Afric’s
ebony, And on his back a fay reclined voluptuously.
Ah!
could I tell the wonders of an isle That in that fairest lake
had placed been, I could e’en Dido of her grief beguile;
Or rob from aged Lear his bitter teen: For sure
so fair a place was never seen, Of all that ever charm’d
romantic eye: It seem’d an emerald in the silver sheen
Of the bright waters; or as when on high, Through clouds of
fleecy white, laughs the coerulean sky.
And all around it
dipp’d luxuriously Slopings of verdure through the glossy tide,
Which, as it were in gentle amity, Rippled
delighted up the flowery side; As if to glean the ruddy tears,
it tried, Which fell profusely from the rose-tree stem!
Haply it was the workings of its pride, In
strife to throw upon the shore a gem Outvieing all the buds in Flora’s
diadem.
More of Keats
Sleep and Poetry
Keats
What is more gentle than a wind in summer? What is more
soothing than the pretty hummer That stays one moment in an open
flower, And buzzes cheerily from bower to bower? What is more
tranquil than a musk-rose blowing In a green island, far
from all men’s knowing? More healthful than the leafiness of
dales? More secret than a nest of nightingales? More serene
than Cordelia’s countenance? More full of visions than a high
romance? What, but thee Sleep? Soft closer of our
eyes! Low murmurer of tender lullabies! Light hoverer around
our happy pillows! Wreather of poppy buds, and weeping
willows! Silent entangler of a beauty’s tresses! Most
happy listener! when the morning blesses Thee for enlivening all the
cheerful eyes That glance so brightly at the new
sun-rise. But what is higher beyond thought than
thee? Fresher than berries of a mountain tree? More
strange, more beautiful, more smooth, more regal, Than wings of swans,
than doves, than dim-seen eagle? What is it? And to what shall I
compare it? It has a glory, and nought else can share it: The
thought thereof is awful, sweet, and holy, Chacing away all
worldliness and folly; Coming sometimes like fearful claps of
thunder, Or the low rumblings earth’s regions under; And
sometimes like a gentle whispering Of all the secrets of some wond’rous
thing That breathes about us in the vacant air; So that
we look around with prying stare, Perhaps to see shapes of light,
aerial lymning, And catch soft floatings from a faint-heard
hymning; To see the laurel wreath, on high
suspended, That is to crown our name when life is
ended. Sometimes it gives a glory to the voice, And from the
heart up-springs, rejoice! rejoice! Sounds which will reach the Framer
of all things, And die away in ardent
mutterings. No one who once the glorious sun has
seen, And all the clouds, and felt his bosom clean For his
great Maker’s presence, but must know What ’tis I mean, and feel his
being glow: Therefore no insult will I give his
spirit By telling what he sees from native
merit. O Poesy! for thee I hold my pen That am
not yet a glorious denizen Of thy wide heaven—Should I rather
kneel Upon some mountain-top until I feel A glowing
splendour round about me hung, And echo back the voice of thine own
tongue? O Poesy! for thee I grasp my pen That am not yet a
glorious denizen Of thy wide heaven; yet, to my ardent
prayer, Yield from thy sanctuary some clear
air, Smoothed for intoxication by the breath Of flowering
bays, that I may die a death Of luxury, and my young spirit
follow The morning sun-beams to the great Apollo Like a
fresh sacrifice; or, if I can bear The o’erwhelming sweets, ’twill
bring me to the fair Visions of all places: a bowery nook Will
be elysium—an eternal book Whence I may copy many a lovely
saying About the leaves, and flowers—about the
playing Of nymphs in woods, and fountains; and the
shade Keeping a silence round a sleeping maid; And many a
verse from so strange influence That we must ever wonder how, and
whence It came. Also imaginings will hover Round my
fire-side, and haply there discover Vistas of solemn beauty, where I’d
wander In happy silence, like the clear meander Through its
lone vales; and where I found a spot Of awfuller shade, or an
enchanted grot, Or a green hill o’erspread with chequered
dress Of flowers, and fearful from its loveliness, Write on my
tablets all that was permitted, All that was for our human senses
fitted. Then the events of this wide world I’d
seize Like a strong giant, and my spirit teaze Till at its
shoulders it should proudly see Wings to find out an
immortality. Stop and consider! life is but a
day; A fragile dew-drop on its perilous way From a
tree’s summit; a poor Indian’s sleep While his boat hastens to the
monstrous steep Of Montmorenci. Why so sad a moan? Life is the
rose’s hope while yet unblown; The reading of an ever-changing
tale; The light uplifting of a maiden’s veil; A pigeon
tumbling in clear summer air; A laughing school-boy, without grief or
care, Riding the springy branches of an
elm. O for ten years, that I may
overwhelm Myself in poesy; so I may do the deed That my own
soul has to itself decreed. Then I will pass the countries that I
see In long perspective, and continually Taste their pure
fountains. First the realm I’ll pass Of Flora, and old Pan: sleep in
the grass, Feed upon apples red, and strawberries, And choose
each pleasure that my fancy sees; Catch the white-handed nymphs in
shady places, To woo sweet kisses from averted faces,— Play
with their fingers, touch their shoulders white Into a pretty shrinking
with a bite As hard as lips can make it: till agreed, A lovely
tale of human life we’ll read. And one will teach a tame dove how it
best May fan the cool air gently o’er my rest; Another,
bending o’er her nimble tread, Will set a green robe floating round her
head, And still will dance with ever varied ease, Smiling upon
the flowers and the trees: Another will entice me on, and
on Through almond blossoms and rich cinnamon, Till in the
bosom of a leafy world We rest in silence, like two gems
upcurl’d In the recesses of a pearly
shell. And can I ever bid these joys
farewell? Yes, I must pass them for a nobler life, Where I may
find the agonies, the strife Of human hearts: for lo! I see
afar, O’er sailing the blue cragginess, a car And steeds with
streamy manes—the charioteer Looks out upon the winds with glorious
fear: And now the numerous tramplings quiver lightly Along a
huge cloud’s ridge; and now with sprightly Wheel downward come they
into fresher skies, Tipt round with silver from the sun’s bright
eyes. Still downward with capacious whirl they glide; And now
I see them on a green-hill’s side In breezy rest among the nodding
stalks. The charioteer with wond’rous gesture talks To the
trees and mountains; and there soon appear Shapes of delight, of
mystery, and fear, Passing along before a dusky space Made by
some mighty oaks: as they would chase Some ever-fleeting music on they
sweep. Lo! how they murmur, laugh, and smile, and weep: Some
with upholden hand and mouth severe; Some with their faces muffled to
the ear Between their arms; some, clear in youthful bloom, Go
glad and smilingly athwart the gloom; Some looking back, and some with
upward gaze; Yes, thousands in a thousand different ways Flit
onward—now a lovely wreath of girls Dancing their sleek hair into
tangled curls; And now broad wings. Most awfully intent The
driver of those steeds is forward bent, And seems to listen: O that I
might know All that he writes with such a hurrying
glow. The visions all are fled—the car is
fled Into the light of heaven, and in their stead A sense of
real things comes doubly strong, And, like a muddy stream, would bear
along My soul to nothingness: but I will strive Against all
doubtings, and will keep alive The thought of that same chariot, and
the strange Journey it
went. Is
there so small a range In the present strength of manhood, that the
high Imagination cannot freely fly As she was wont of old?
prepare her steeds, Paw up against the light, and do strange
deeds Upon the clouds? Has she not shewn us all? From the
clear space of ether, to the small Breath of new buds unfolding? From
the meaning Of Jove’s large eye-brow, to the tender
greening Of April meadows? Here her altar shone, E’en in this
isle; and who could paragon The fervid choir that lifted up a
noise Of harmony, to where it aye will poise Its mighty self
of convoluting sound, Huge as a planet, and like that roll
round, Eternally around a dizzy void? Ay, in those days the
Muses were nigh cloy’d With honors; nor had any other
care Than to sing out and sooth their wavy
hair. Could all this be forgotten? Yes, a
sc[h]ism Nurtured by foppery and barbarism, Made great Apollo
blush for this his land. Men were thought wise who could not
understand His glories: with a puling infant’s force They
sway’d about upon a rocking horse, And thought it Pegasus. Ah dismal
soul’d! The winds of heaven blew, the ocean roll’d Its
gathering waves—ye felt it not. The blue Bared its eternal bosom, and
the dew Of summer nights collected still to make The morning
precious: beauty was awake! Why were ye not awake? But ye were
dead To things ye knew not of,—were closely wed To musty laws
lined out with wretched rule And compass vile: so that ye taught a
school Of dolts to smooth, inlay, and clip, and fit, Till,
like the certain wands of Jacob’s wit, Their verses tallied. Easy was
the task: A thousand handicraftsmen wore the mask Of Poesy.
Ill-fated, impious race! That blasphemed the bright Lyrist to his
face, And did not know it,—no, they went about, Holding a
poor, decrepid standard out Mark’d with most flimsy mottos, and in
large The name of one
Boileau! O
ye whose charge It is to hover round our pleasant hills! Whose
congregated majesty so fills My boundly reverence, that I cannot
trace Your hallowed names, in this unholy place, So near those
common folk; did not their shames Affright you? Did our old lamenting
Thames Delight you? Did ye never cluster round Delicious Avon,
with a mournful sound, And weep? Or did ye wholly bid adieu To
regions where no more the laurel grew? Or did ye stay to give a
welcoming To some lone spirits who could proudly sing Their
youth away, and die? ’Twas even so: But let me think away those times
of woe: Now ’tis a fairer season; ye have breathed Rich
benedictions o’er us; ye have wreathed Fresh garlands: for sweet music
has been heard In many places;—some has been upstirr’d From
out its crystal dwelling in a lake, By a swan’s ebon bill; from a thick
brake, Nested and quiet in a valley mild, Bubbles a pipe; fine
sounds are floating wild About the earth: happy are ye and
glad. These things are doubtless: yet in truth we’ve
had Strange thunders from the potency of song; Mingled indeed
with what is sweet and strong, From majesty: but in clear truth the
themes Are ugly clubs, the Poets Polyphemes Disturbing the
grand sea. A drainless shower Of light is poesy; ’tis the supreme of
power; ’Tis might half slumb’ring on its own right arm. The
very archings of her eye-lids charm A thousand willing agents to
obey, And still she governs with the mildest sway: But
strength alone though of the Muses born Is like a fallen angel: trees
uptorn, Darkness, and worms, and shrouds, and
sepulchres Delight it; for it feeds upon the burrs, And thorns
of life; forgetting the great end Of poesy, that it should be a
friend To sooth the cares, and lift the thoughts of
man. Yet I rejoice: a myrtle fairer
than E’er grew in Paphos, from the bitter weeds Lifts its
sweet head into the air, and feeds A silent space with ever sprouting
green. All tenderest birds there find a pleasant screen, Creep
through the shade with jaunty fluttering, Nibble the little cupped
flowers and sing. Then let us clear away the choaking
thorns From round its gentle stem; let the young fawns, Yeaned
in after times, when we are flown, Find a fresh sward beneath it,
overgrown With simple flowers: let there nothing be More
boisterous than a lover’s bended knee; Nought more ungentle than the
placid look Of one who leans upon a closed book; Nought more
untranquil than the grassy slopes Between two hills. All hail
delightful hopes! As she was wont, th’ imagination Into most
lovely labyrinths will be gone, And they shall be accounted poet
kings Who simply tell the most heart-easing things. O may
these joys be ripe before I die. Will not some say that
I presumptuously Have spoken? that from hastening
disgrace ’Twere better far to hide my foolish face? That
whining boyhood should with reverence bow Ere the dread thunderbolt
could reach? How! If I do hide myself, it sure shall be In the
very fane, the light of Poesy: If I do fall, at least I will be
laid Beneath the silence of a poplar shade; And over me the
grass shall be smooth shaven; And there shall be a kind memorial
graven. But off Despondence! miserable bane! They should not
know thee, who athirst to gain A noble end, are thirsty every
hour. What though I am not wealthy in the dower Of spanning
wisdom; though I do not know The shiftings of the mighty winds that
blow Hither and thither all the changing thoughts Of man:
though no great minist’ring reason sorts Out the dark mysteries of
human souls To clear conceiving: yet there ever rolls A vast
idea before me, and I glean Therefrom my liberty; thence too I’ve
seen The end and aim of Poesy. ’Tis clear As anything most
true; as that the year Is made of the four seasons—manifest As
a large cross, some old cathedral’s crest, Lifted to the white clouds.
Therefore should I Be but the essence of deformity, A coward,
did my very eye-lids wink At speaking out what I have dared to
think. Ah! rather let me like a madman run Over some
precipice; let the hot sun Melt my Dedalian wings, and drive me
down Convuls’d and headlong! Stay! an inward frown Of
conscience bids me be more calm awhile. An ocean dim, sprinkled with
many an isle, Spreads awfully before me. How much toil! How
many days! what desperate turmoil! Ere I can have explored its
widenesses. Ah, what a task! upon my bended knees, I could
unsay those—no,
impossible! Impossible! For
sweet relief I’ll dwell On humbler thoughts, and let this strange
assay Begun in gentleness die so away. E’en now all tumult
from my bosom fades: I turn full hearted to the friendly
aids That smooth the path of honour; brotherhood, And
friendliness the nurse of mutual good. The hearty grasp that sends a
pleasant sonnet Into the brain ere one can think upon it; The
silence when some rhymes are coming out; And when they’re come, the
very pleasant rout: The message certain to be done
to-morrow. ’Tis perhaps as well that it should be to
borrow Some precious book from out its snug retreat, To
cluster round it when we next shall meet. Scarce can I scribble on; for
lovely airs Are fluttering round the room like doves in
pairs; Many delights of that glad day recalling, When first my
senses caught their tender falling. And with these airs come forms of
elegance Stooping their shoulders o’er a horse’s
prance, Careless, and grand—fingers soft and round Parting
luxuriant curls;—and the swift bound Of Bacchus from his chariot, when
his eye Made Ariadne’s cheek look blushingly. Thus I remember
all the pleasant flow Of words at opening a
portfolio. Things such as these are ever
harbingers To trains of peaceful images: the stirs Of a swan’s
neck unseen among the rushes: A linnet starting all about the
bushes: A butterfly, with golden wings broad parted Nestling a
rose, convuls’d as though it smarted With over pleasure—many, many
more, Might I indulge at large in all my store Of luxuries:
yet I must not forget Sleep, quiet with his poppy coronet: For
what there may be worthy in these rhymes I partly owe to him: and thus,
the chimes Of friendly voices had just given place To as sweet
a silence, when I ’gan retrace The pleasant day, upon a couch at
ease. It was a poet’s house who keeps the keys Of pleasure’s
temple. Round about were hung The glorious features of the bards who
sung In other ages—cold and sacred busts Smiled at each other.
Happy he who trusts To clear Futurity his darling fame! Then
there were fauns and satyrs taking aim At swelling apples with a frisky
leap And reaching fingers, ’mid a luscious heap Of vine
leaves. Then there rose to view a fane Of liny marble, and thereto a
train Of nymphs approaching fairly o’er the sward: One,
loveliest, holding her white hand toward The dazzling sun-rise: two
sisters sweet Bending their graceful figures till they
meet Over the trippings of a little child: And some are
hearing, eagerly, the wild Thrilling liquidity of dewy
piping. See, in another picture, nymphs are
wiping Cherishingly Diana’s timorous limbs;— A fold of lawny
mantle dabbling swims At the bath’s edge, and keeps a gentle
motion With the subsiding crystal: as when ocean Heaves calmly
its broad swelling smoothiness o’er Its rocky marge, and balances once
more The patient weeds; that now unshent by foam Feel all
about their undulating home. Sappho’s meek head was
there half smiling down At nothing; just as though the earnest
frown Of over thinking had that moment gone From off her brow,
and left her all alone. Great Alfred’s too, with
anxious, pitying eyes, As if he always listened to the
sighs Of the goaded world; and Kosciusko’s worn By horrid
suffrance—mightily forlorn. Petrarch, outstepping from
the shady green, Starts at the sight of Laura; nor can
wean His eyes from her sweet face. Most happy they! For over
them was seen a free display Of out-spread wings, and from between them
shone The face of Poesy: from off her throne She overlook’d
things that I scarce could tell. The very sense of where I was might
well Keep Sleep aloof: but more than that there came Thought
after thought to nourish up the flame Within my breast; so that the
morning light Surprised me even from a sleepless night; And up
I rose refresh’d, and glad, and gay, Resolving to begin that very
day These lines; and howsoever they be done, I leave them as a
father does his son.
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